🏛️ 典故與文化背景
故事來源
1940 年史坦貝克與海洋生物學家好友艾德.里克茨(Ed Ricketts)航行柯提斯海採集標本,在《柯提斯海航海日誌》(The Log from the Sea of Cortez, 1941)中記下他在拉巴斯聽到的民間故事:一個印第安男孩找到一顆大珍珠,以為從此可以不用工作、可以喝醉、可以娶任何女孩;結果人人想搶他的珍珠,最後他把珍珠丟回海裡。史坦貝克把這個故事改寫成《珍珠》(1945 年先刊於雜誌,1947 年出書)。
寓言(parable)
前言直接告訴讀者這是寓言——人物近乎原型(善良的漁夫、貪婪的醫生),讀者要讀出的是普遍的道理:財富、貪婪、階級、命運。
「歌」
奇諾的族人「曾是偉大的造歌者」,暗指墨西哥原住民被西班牙征服前的文化。史坦貝克把歌寫成奇諾的內心語言,也暗示那個文化已經停止生長(「再也沒有新歌」)。
柯尤提托(Coyotito)
西班牙語「小郊狼」——郊狼在墨西哥原住民傳說中常是機靈的角色。
原住民與天主教
胡安娜同時念「古老的咒語」與「聖母經」——西班牙殖民四百年,天主教疊加在原住民信仰上,成為墨西哥特有的宗教混合。
伊甸園的蛇
完美的早晨、全家安睡、蠍子從上方垂下——讀者很難不聯想到伊甸園與蛇。善與惡的寓言從第一頁就開始了。
蟻獅的陷阱
奇諾「以神的超然」看螞蟻掙扎——諷刺的是,他很快就會成為那隻螞蟻。
📖 導讀
全書以兩段前言開場,聲音像鎮上的說書人:這個故事被講了太多次,「在每個人心裡生了根」,只剩下好與壞、黑與白、善與惡,沒有中間地帶。「如果這個故事是一則寓言(parable),也許每個人都會從中讀出自己的意思,讀進自己的人生。」史坦貝克先告訴讀者怎麼讀這本書:人物會像原型,善惡會很分明——別期待《人鼠之間》那種寫實的灰色。
然後是第一個早晨。採珠人奇諾在近乎全黑中醒來,看門口漸亮的方框、看吊著兒子柯尤提托的木箱、看身旁的妻子胡安娜——她的眼睛總是睜著。奇諾閉上眼聽海浪,聽「他的音樂」:他的族人曾是偉大的造歌者,看到的、想到的都會變成歌;如今沒有新歌了,可是他腦中有一首歌,「家之歌」——胡安娜磨玉米的石磨是它的節拍,她唱的三音古調是它的旋律,「這是安全,這是溫暖,這是全部」。早餐是玉米餅沾醬和一點龍舌蘭酒,兩人不必說話,「奇諾滿足地嘆了口氣——那就是交談」。一個「和其他早晨一樣、卻是早晨中最完美的」早晨。
陽光照到吊箱的繩子上,一隻蠍子正慢慢往下爬。奇諾腦中響起第二首歌:「惡之歌」,敵人的音樂。胡安娜一邊念古老的咒語、一邊咬著牙唸聖母經;奇諾無聲地滑過去,柯尤提托卻笑著搖了繩子——蠍子掉下來,螫中嬰兒的肩膀。奇諾把蠍子捏成漿、捶進土裡,胡安娜吸吮傷口吐出毒液。鄰居湧到門口,消息一路往後傳:「蠍子。孩子被螫了。」
重點
- 前言=閱讀說明書:寓言、善惡分明、沒有中間地帶——每個讀者會讀進自己的人生。
- 「歌」的系統:家之歌(安全、完整)vs. 惡之歌(敵人)——全書用音樂表達奇諾的內心。
- 完美的貧窮:沒有錢,卻有家、有歌、有不需要言語的默契——珍珠出現前的伊甸園。
- 神的冷眼:奇諾「以神的超然」看螞蟻掉進蟻獅的陷阱——一個小小的預言:他自己也會掉進陷阱。
- 蠍子=惡的入侵:從屋頂的繩子垂下來,像伊甸園的蛇。
- 兩種信仰:胡安娜同時念古老咒語和聖母經——原住民傳統與天主教的疊合。
📕 中英對照(逐句)
“In the town they tell the story of the great pearl—how it was found and how it was lost again.
「鎮上的人講著那顆大珍珠的故事——它怎麼被找到,又怎麼再次失去。
They tell of Kino, the fisherman, and of his wife, Juana, and of the baby, Coyotito.
他們講漁夫奇諾,講他的妻子胡安娜,還有嬰兒柯尤提托。
And because the story has been told so often, it has taken root in every man’s mind.
因為這個故事被講了太多次,它已經在每個人心裡生了根。
And, as with all retold tales that are in people’s hearts, there are only good and bad things and black and white things and good and evil things and no in-between anywhere.
而就像所有留在人們心中、被一講再講的故事一樣,裡面只有好事和壞事、黑的和白的、善的和惡的,任何地方都沒有中間地帶。
“If this story is a parable, perhaps everyone takes his own meaning from it and reads his own life into it.
「如果這個故事是一則寓言,也許每個人都會從中取出自己的意義,把自己的人生讀進去。
In any case, they say in the town that . . .”
無論如何,鎮上的人是這麼說的……」
Kino awakened in the near dark.
奇諾在近乎全黑中醒來。
The stars still shone and the day had drawn only a pale wash of light in the lower sky to the east.
星星還亮著,白晝只在東方低空抹上一層淡淡的光。
The roosters had been crowing for some time, and the early pigs were already beginning their ceaseless turning of twigs and bits of wood to see whether anything to eat had been overlooked.
公雞已經啼了好一陣子,早起的豬已經開始沒完沒了地翻動細枝和木屑,看看有沒有遺漏什麼可吃的。
Outside the brush house in the tuna clump, a covey of little birds chittered and flurried with their wings.
樹枝屋外的仙人掌叢裡,一群小鳥吱吱喳喳,撲騰著翅膀。
Kino’s eyes opened, and he looked first at the lightening square which was the door and then he looked at the hanging box where Coyotito slept.
奇諾睜開眼睛,先看那個漸漸亮起來的方框,那是門;再看吊著的木箱,柯尤提托睡在裡面。
And last he turned his head to Juana, his wife, who lay beside him on the mat, her blue head-shawl over her nose and over her breasts and around the small of her back.
最後他轉頭看胡安娜,他的妻子;她躺在他身邊的草蓆上,藍色頭巾蓋過鼻子、蓋過胸口,繞到腰後。
Juana’s eyes were open too.
胡安娜的眼睛也睜著。
Kino could never remember seeing them closed when he awakened.
奇諾不記得自己醒來時,曾經看過她閉著眼。
Her dark eyes made little reflected stars.
她深色的眼睛映著小小的星光。
She was looking at him as she was always looking at him when he awakened.
她看著他,就像他每次醒來時她看著他那樣。
Kino heard the little splash of morning waves on the beach.
奇諾聽見早晨的小浪拍上沙灘的聲音。
It was very good—Kino closed his eyes again to listen to his music.
這很好——奇諾又閉上眼睛,聽他的音樂。
Perhaps he alone did this and perhaps all of his people did it.
也許只有他這樣做,也許他的族人都這樣做。
His people had once been great makers of songs so that everything they saw or thought or did or heard became a song.
他的族人曾經是偉大的造歌者,他們看到的、想到的、做的、聽到的一切,都會變成一首歌。
That was very long ago.
那是很久很久以前的事了。
The songs remained; Kino knew them, but no new songs were added.
那些歌留了下來;奇諾都會,可是再也沒有新歌加進來。
That does not mean that there were no personal songs.
這不表示就沒有屬於個人的歌。
In Kino’s head there was a song now, clear and soft, and if he had been able to speak of it, he would have called it the Song of the Family.
此刻奇諾腦中就有一首歌,清澈而柔和,要是他說得出來,他會叫它「家之歌」。
His blanket was over his nose to protect him from the dank air.
他的毯子蓋過鼻子,擋住陰濕的空氣。
His eyes flicked to a rustle beside him.
身邊一陣窸窣,他的眼睛飛快地瞥過去。
It was Juana arising, almost soundlessly.
是胡安娜起身了,幾乎沒有聲音。
On her hard bare feet she went to the hanging box where Coyotito slept, and she leaned over and said a little reassuring word.
她赤著結實的雙腳走到柯尤提托睡的吊箱邊,彎下身說了一句安撫的小話。
Coyotito looked up for a moment and closed his eyes and slept again.
柯尤提托抬眼看了一下,又閉上眼睛睡了。
Juana went to the fire pit and uncovered a coal and fanned it alive while she broke little pieces of brush over it.
胡安娜走到火坑邊,撥開一塊炭,把它搧旺,一邊把小段的枯枝折斷撒在上面。
Now Kino got up and wrapped his blanket about his head and nose and shoulders.
這時奇諾起身,把毯子裹住頭、鼻子和肩膀。
He slipped his feet into his sandals and went outside to watch the dawn.
他把腳套進涼鞋,走到外面看黎明。
Outside the door he squatted down and gathered the blanket ends about his knees.
他在門外蹲下,把毯子的下襬攏在膝蓋四周。
He saw the specks of Gulf clouds flame high in the air.
他看見海灣上空一點點的雲在高處燃燒。
And a goat came near and sniffed at him and stared with its cold yellow eyes.
一隻山羊走近,嗅了嗅他,用冷冷的黃眼睛盯著他。
Behind him Juana’s fire leaped into flame and threw spears of light through the chinks of the brush-house wall and threw a wavering square of light out the door.
他身後,胡安娜的火竄起火焰,從樹枝屋牆壁的縫隙射出一根根光矛,又從門口投出一方搖晃的光。
A late moth blustered in to find the fire.
一隻遲歸的飛蛾莽莽撞撞地闖進來找火。
The Song of the Family came now from behind Kino.
家之歌此刻從奇諾身後傳來。
And the rhythm of the family song was the grinding stone where Juana worked the corn for the morning cakes.
家之歌的節奏,是胡安娜磨玉米做早餐餅的石磨聲。
The dawn came quickly now, a wash, a glow, a lightness, and then an explosion of fire as the sun arose out of the Gulf.
黎明此刻來得很快:一抹、一片光暈、一陣明亮,然後太陽從海灣升起,像一場火的爆炸。
Kino looked down to cover his eyes from the glare.
奇諾低下頭,躲開刺眼的光。
He could hear the pat of the corn-cakes in the house and the rich smell of them on the cooking plate.
他聽得見屋裡拍打玉米餅的聲音,聞得到餅在烤盤上濃郁的香氣。
The ants were busy on the ground, big black ones with shiny bodies, and little dusty quick ants.
地上的螞蟻很忙,有身體發亮的大黑蟻,也有灰撲撲、動作很快的小螞蟻。
Kino watched with the detachment of God while a dusty ant frantically tried to escape the sand trap an ant lion had dug for him.
奇諾以神一般的超然,看著一隻灰螞蟻拚命想逃出蟻獅為牠挖的沙坑陷阱。
A thin, timid dog came close and, at a soft word from Kino, curled up, arranged its tail neatly over its feet, and laid its chin delicately on the pile.
一隻瘦瘦的、膽小的狗走近,奇諾輕輕說了一句話,牠就蜷起身子,把尾巴整齊地蓋在腳上,下巴優雅地擱在那堆東西上。
It was a black dog with yellow-gold spots where its eyebrows should have been.
那是一隻黑狗,眉毛的位置長著兩個金黃色的斑點。
It was a morning like other mornings and yet perfect among mornings.
這是一個和其他早晨一樣的早晨,卻又是早晨之中最完美的一個。
Kino heard the creak of the rope when Juana took Coyotito out of his hanging box and cleaned him and hammocked him in her shawl in a loop that placed him close to her breast.
奇諾聽見繩子嘎吱一響,胡安娜把柯尤提托從吊箱裡抱出來,替他擦乾淨,用披巾兜成一個圈,像吊床一樣把他兜在胸前。
Kino could see these things without looking at them.
奇諾不用看也看得見這些。
Juana sang softly an ancient song that had only three notes and yet endless variety of interval.
胡安娜輕輕唱著一首古老的歌,只有三個音,音程卻變化無窮。
And this was part of the family song too.
這也是家之歌的一部分。
It was all part.
全都是它的一部分。
Sometimes it rose to an aching chord that caught the throat, saying this is safety, this is warmth, this is the Whole.
有時它升成一個令人心痛的和弦,揪住喉嚨,說:這是安全,這是溫暖,這是全部。
Across the brush fence were other brush houses, and the smoke came from them too, and the sound of breakfast, but those were other songs, their pigs were other pigs, their wives were not Juana.
樹枝圍籬那頭是別的樹枝屋,也冒著煙,也傳來早餐的聲音,可是那些是別的歌,他們的豬是別人的豬,他們的妻子不是胡安娜。
Kino was young and strong and his black hair hung over his brown forehead.
奇諾年輕而強壯,黑髮垂在褐色的額頭上。
His eyes were warm and fierce and bright and his moustache was thin and coarse.
他的眼睛溫暖、兇猛而明亮,鬍子又稀又硬。
He lowered his blanket from his nose now, for the dark poisonous air was gone and the yellow sunlight fell on the house.
他這時把毯子從鼻子上拉下來,因為陰暗有毒的空氣已經散去,黃色的陽光落在屋上。
Near the brush fence two roosters bowed and feinted at each other with squared wings and neck feathers ruffed out.
圍籬邊兩隻公雞彎下身,互相虛晃試探,翅膀張成方形,頸毛蓬起。
It would be a clumsy fight.
那會是一場笨拙的打鬥。
They were not game chickens.
牠們不是鬥雞。
Kino watched them for a moment, and then his eyes went up to a flight of wild doves twinkling inland to the hills.
奇諾看了牠們一會兒,然後他的目光往上,追著一群野斑鳩閃閃爍爍地往內陸的山丘飛去。
The world was awake now, and Kino arose and went into his brush house.
世界醒了,奇諾站起來,走進他的樹枝屋。
As he came through the door Juana stood up from the glowing fire pit.
他一進門,胡安娜就從發亮的火坑邊站起來。
She put Coyotito back in his hanging box and then she combed her black hair and braided it in two braids and tied the ends with thin green ribbon.
她把柯尤提托放回吊箱,然後梳她的黑髮,編成兩條辮子,用細細的綠緞帶綁住髮尾。
Kino squatted by the fire pit and rolled a hot corn-cake and dipped it in sauce and ate it.
奇諾蹲在火坑邊,捲起一張熱玉米餅,沾了醬吃。
And he drank a little pulque and that was breakfast.
他又喝了一點普逵酒(pulque,龍舌蘭發酵酒),這就是早餐。
That was the only breakfast he had ever known outside of feast days and one incredible fiesta on cookies that had nearly killed him.
除了節慶日,還有一次不可思議的節日差點讓他吃餅乾吃到撐死之外,這是他所知道唯一的早餐。
When Kino had finished, Juana came back to the fire and ate her breakfast.
奇諾吃完,胡安娜才回到火邊吃她的早餐。
They had spoken once, but there is not need for speech if it is only a habit anyway.
他們說過一次話,不過,如果說話只是一種習慣,那就沒有必要了。
Kino sighed with satisfaction—and that was conversation.
奇諾滿足地嘆了一口氣——那就是交談。
The sun was warming the brush house, breaking through its crevices in long streaks.
陽光暖著樹枝屋,從縫隙中一道道長長地穿進來。
And one of the streaks fell on the hanging box where Coyotito lay, and on the ropes that held it.
其中一道落在柯尤提托躺著的吊箱上,落在吊著木箱的繩子上。
It was a tiny movement that drew their eyes to the hanging box.
是一個極細微的動靜,把他們的目光引到吊箱上。
Kino and Juana froze in their positions.
奇諾和胡安娜僵在原地。
Down the rope that hung the baby’s box from the roof support a scorpion moved slowly.
一隻蠍子正沿著那條從屋樑垂下、吊著嬰兒木箱的繩子,慢慢往下爬。
His stinging tail was straight out behind him, but he could whip it up in a flash of time.
牠那帶刺的尾巴直直伸在身後,可是一眨眼就能甩起來。
Kino’s breath whistled in his nostrils and he opened his mouth to stop it.
奇諾的呼吸在鼻孔裡嘶嘶作響,他張開嘴,止住那聲音。
And then the startled look was gone from him and the rigidity from his body.
接著他臉上的驚愕不見了,身上的僵硬也不見了。
In his mind a new song had come, the Song of Evil, the music of the enemy, of any foe of the family, a savage, secret, dangerous melody, and underneath, the Song of the Family cried plaintively.
他心裡響起一首新的歌——惡之歌,敵人的音樂,一切與家為敵者的音樂,一段野蠻、隱密、危險的旋律;而在它底下,家之歌哀哀地哭著。
The scorpion moved delicately down the rope towards the box.
蠍子小心翼翼地沿著繩子往木箱爬去。
Under her breath Juana repeated an ancient magic to guard against such evil, and on top of that she muttered a Hail Mary between clenched teeth.
胡安娜低聲重複一段抵禦這種邪惡的古老咒語,又咬緊牙關在上面加唸了一遍聖母經。
But Kino was in motion.
可是奇諾已經動了。
His body glided quietly across the room, noiselessly and smoothly.
他的身體靜靜地滑過房間,無聲而流暢。
His hands were in front of him, palms down, and his eyes were on the scorpion.
他雙手伸在前面,掌心朝下,眼睛盯著蠍子。
Beneath it in the hanging box Coyotito laughed and reached up his hand towards it.
蠍子底下的吊箱裡,柯尤提托笑著伸手去抓牠。
It sensed danger when Kino was almost within reach of it.
奇諾快要搆到牠的時候,牠察覺到了危險。
It stopped, and its tail rose up over its back in little jerks and the curved thorn on the tail’s end glistened.
牠停住,尾巴一抽一抽地翹過背脊,尾端那根彎刺閃著光。
Kino stood perfectly still.
奇諾一動也不動地站著。
He could hear Juana whispering the old magic again, and he could hear the evil music of the enemy.
他聽得見胡安娜又在低聲念那段古老的咒語,也聽得見敵人邪惡的音樂。
He could not move until the scorpion moved, and it felt for the source of the death that was coming to it.
蠍子不動,他就不能動,而蠍子正在探尋那個朝牠逼近的死亡從哪裡來。
Kino’s hand went forward very slowly, very smoothly.
奇諾的手非常慢、非常平穩地往前伸。
The thorned tail jerked upright.
帶刺的尾巴猛地豎直。
And at that moment the laughing Coyotito shook the rope and the scorpion fell.
就在這一刻,笑著的柯尤提托搖動了繩子,蠍子掉了下來。
Kino’s hand leaped to catch it, but it fell past his fingers, fell on the baby’s shoulder, landed and struck.
奇諾的手撲過去要接,可是牠從他指間落下,落在嬰兒的肩上,一落下就螫了。
Then, snarling, Kino had it, had it in his fingers, rubbing it to a paste in his hands.
接著,奇諾咆哮著抓住了牠,抓在手指間,在手裡把牠搓成了漿。
He threw it down and beat it into the earth floor with his fist, and Coyotito screamed with pain in his box.
他把牠丟到地上,用拳頭把牠捶進泥土地裡,柯尤提托在木箱裡痛得尖叫。
But Kino beat and stamped the enemy until it was only a fragment and a moist place in the dirt.
可是奇諾還在捶、還在踩那個敵人,直到牠只剩一點碎片,和泥土上一塊濕痕。
His teeth were bared and fury flared in his eyes and the Song of the Enemy roared in his ears.
他齜著牙,眼裡燃著怒火,敵人之歌在他耳中轟鳴。
But Juana had the baby in her arms now.
可是胡安娜已經把嬰兒抱在懷裡。
She found the puncture with redness starting from it already.
她找到那個刺孔,周圍已經開始泛紅。
She put her lips down over the puncture and sucked hard and spat and sucked again while Coyotito screamed.
她把嘴唇貼上刺孔,用力吸,吐掉,再吸,柯尤提托一直尖叫。
Kino hovered; he was helpless, he was in the way.
奇諾在旁邊打轉;他無能為力,他還礙手礙腳。
The screams of the baby brought the neighbours.
嬰兒的尖叫引來了鄰居。
Out of their brush houses they poured—Kino’s brother Juan Tomás and his fat wife Apolonia and their four children crowded in the door and blocked the entrance, while behind them others tried to look in, and one small boy crawled among legs to have a look.
他們從各自的樹枝屋湧出來——奇諾的哥哥胡安.托馬斯、他胖胖的妻子阿波洛妮亞,還有他們的四個孩子擠在門口,堵住了入口;後面的人想往裡看,一個小男孩從一堆腿中間爬進來看。
And those in front passed the word back to those behind—“Scorpion. The baby has been stung.”
前面的人把話往後傳——「蠍子。孩子被螫了。」
Juana stopped sucking the puncture for a moment.
胡安娜暫時停止吸吮刺孔。
The little hole was slightly enlarged and its edges whitened from the sucking, but the red swelling extended farther around it in a hard lymphatic mound.
那個小孔稍微變大了,邊緣因為吸吮而發白,可是紅腫從周圍擴散得更遠,鼓成一個硬硬的淋巴腫塊。
And all of these people knew about the scorpion.
這些人都知道蠍子的厲害。
An adult might be very ill from the sting, but a baby could easily die from the poison.
大人被螫了可能會病得很重,嬰兒卻很容易被毒死。
First, they knew, would come swelling and fever and tightened throat, and then cramps in the stomach, and then Coyotito might die if enough of the poison had gone in.
他們知道,先是腫、發燒、喉嚨緊縮,接著肚子抽筋,然後,要是毒液進去得夠多,柯尤提托就可能會死。
But the stinging pain of the bite was going away.
可是被螫的刺痛正在消退。
Coyotito’s screams turned to moans.
柯尤提托的尖叫變成了呻吟。
📚 字詞與句法(15)
1parableKK [ˈpærəbl̩](n.)寓言、比喻故事
- 詞義:用簡單故事傳達道德或宗教教訓。原文
If this story is a parable, perhaps everyone takes his own meaning from it。 - 例句:Jesus often taught in parables, like the story of the Good Samaritan. / 耶穌常用比喻教導人,例如好撒馬利亞人的故事。
- 詞源 × 實用度:希臘文 parabolē(並列、比較),同源 parabola(拋物線)。文學與宗教語境常用。
- 同義詞常用度:fable 60%、allegory 45%、moral tale 35%、parable 50%(第 2/4 名)。
- 詞性變化:n. parable;adj. parabolic。
2coveyKK [ˈkʌvɪ](n.)(鳥的)一小群
- 詞義:原文
a covey of little birds chittered。原指鵪鶉、鷓鴣等的一群。 - 例句:A covey of quail burst from the grass. / 一群鵪鶉從草叢中竄出。
- 詞源 × 實用度:古法文 covee(一窩雛鳥),同源 incubate。集合名詞,文學用。
- 同義詞常用度:flock 90%、group 70%、flight 30%、covey 20%(第 4/4 名)。
- 詞性變化:n. covey / coveys。
3dankKK [dæŋk](adj.)陰冷潮濕的
- 詞義:原文
to protect him from the dank air。 - 例句:a dank, musty basement / 一間陰濕發霉的地下室
- 詞源 × 實用度:可能源自北歐語。常與 basement、cave、cellar 搭配。
- 同義詞常用度:damp 85%、clammy 35%、humid 60%、dank 40%(第 3/4 名)。
- 詞性變化:adj. dank / danker / dankest。
4detachmentKK [dɪˈtætʃmənt](n.)超然、冷漠不涉入
- 詞義:原文
Kino watched with the detachment of God while a dusty ant frantically tried to escape。 - 例句:Doctors need a certain detachment to do their job. / 醫生需要某種程度的抽離才能做好工作。
- 詞源 × 實用度:detach(分開)。另義「分遣隊」。
- 同義詞常用度:indifference 55%、objectivity 50%、aloofness 30%、detachment 50%(第 2/4 名)。
- 詞性變化:v. detach;adj. detached;n. detachment。
5feintKK [fent](v./n.)虛晃、佯攻
- 詞義:原文
two roosters bowed and feinted at each other。 - 例句:The boxer feinted left, then hit with his right. / 拳擊手先往左虛晃,再出右拳。
- 詞源 × 實用度:古法文 feint(假裝),同源 feign。運動、軍事用語。
- 同義詞常用度:fake 75%、dodge 50%、bluff 40%、feint 40%(第 4/4 名)。
- 詞性變化:feint / feinted / feinted / feinting。
6plaintivelyKK [ˈplentɪvlɪ](adv.)哀怨地
- 詞義:原文
the Song of the Family cried plaintively。見《人鼠之間》第 6 節。 - 例句:A lone bird sang plaintively in the rain. / 一隻孤鳥在雨中哀哀地鳴唱。
- 詞源 × 實用度:同源 complain、plaintiff。文學常用。
- 同義詞常用度:sadly 85%、mournfully 35%、plaintively 30%(第 3/4 名)、wistfully 30%。
- 詞性變化:adj. plaintive;adv. plaintively。
7lymphaticKK [lɪmˈfætɪk](adj.)淋巴的
- 詞義:原文
the red swelling extended farther around it in a hard lymphatic mound。 - 例句:The lymphatic system helps fight infection. / 淋巴系統幫助抵抗感染。
- 詞源 × 實用度:拉丁文 lympha(清水)。醫學用語。
- 同義詞常用度:(醫學術語)
- 詞性變化:n. lymph;adj. lymphatic。
8scorpionKK [ˈskɔrpɪən](n.)蠍子
- 詞義:原文
Down the rope ... a scorpion moved slowly. His stinging tail was straight out behind him。 - 例句:In the desert, always shake out your boots in case of scorpions. / 在沙漠裡,穿靴子前一定要先抖一抖,以防有蠍子。
- 詞源 × 實用度:希臘文 skorpios。天蠍座 Scorpio。
- 同義詞常用度:(專有名詞)
- 詞性變化:n. scorpion(s)。
9ant lionKK [ˈænt ˌlaɪən](n.)蟻獅
- 詞義:蛟蛉的幼蟲,在沙地挖漏斗形陷阱捕食螞蟻。原文
the sand trap an ant lion had dug for him。 - 例句:An ant lion waits at the bottom of its sand pit. / 蟻獅在沙坑底部守株待兔。
- 詞源 × 實用度:「螞蟻的獅子」。全書第一個「陷阱」意象。
- 同義詞常用度:(專有名詞;doodlebug 為俗稱)
- 詞性變化:n. antlion(s)。
10brush house(n.)樹枝屋
- 詞義:用灌木枝條搭成的簡陋房子,墨西哥沿海原住民的住屋。原文
Outside the brush house in the tuna clump。 - 例句:(文化詞彙)
- 詞源 × 實用度:brush=灌木叢。對比後面鎮上的「石頭與灰泥」房子——階級的空間界線。
- 同義詞常用度:hut 80%、shack 60%、brush house 10%(第 3/3 名)。
- 詞性變化:n. brush house(s)。
11tunaKK [ˈtunə](n.)(西語)仙人掌果;仙人掌
- 詞義:注意!不是鮪魚。西班牙語 tuna 指仙人掌(prickly pear)的果實或植株。原文
in the tuna clump=仙人掌叢。 - 例句:Tunas are sold at Mexican markets in summer. / 夏天墨西哥市場上賣仙人掌果。
- 詞源 × 實用度:源自加勒比泰諾語。最常見的誤譯陷阱之一。
- 同義詞常用度:prickly pear 70%、cactus fruit 45%、tuna 15%(第 3/3 名)。
- 詞性變化:n. tuna(s)。
12pulqueKK [ˈpʊlke](n.)普逵酒
- 詞義:用龍舌蘭汁液發酵的乳白色酒,墨西哥原住民傳統飲料。原文
he drank a little pulque and that was breakfast。 - 例句:Pulque was sacred to the Aztecs. / 普逵酒對阿茲特克人是神聖的。
- 詞源 × 實用度:納瓦特爾語(阿茲特克語)。比龍舌蘭酒(tequila,蒸餾)古老得多。
- 同義詞常用度:(專有名詞)
- 詞性變化:n. pulque。
13Hail Mary(n.)聖母經;(美式足球)孤注一擲的長傳
- 詞義:天主教禱文「萬福瑪利亞」。原文
she muttered a Hail Mary between clenched teeth。 - 例句:He threw a Hail Mary pass in the last second. / 他在最後一秒孤注一擲地長傳。
- 詞源 × 實用度:拉丁文 Ave Maria。比喻「最後的祈禱、碰運氣」今天很常用。
- 同義詞常用度:(專有名詞)
- 詞性變化:n. Hail Mary(s)。
14寓言式的並列句(句法)
- 特徵:用 and 串接名詞或子句,重複又有節奏,像聖經或民間故事。
- 原文例:
there are only good and bad things and black and white things and good and evil things and no in-between anywhere.a wash, a glow, a lightness, and then an explosion of fire。 - 效果:像說書人口述,莊重、古老;也模仿聖經英語(欽定本)的節奏。
- 仿寫:And the rain fell, and the rivers rose, and the people waited, and no one came.
15音樂作為內心(修辭)
- 特徵:用「歌」代替心理描寫。
- 原文例:
the Song of the Family、the Song of Evil, the music of the enemy、underneath, the Song of the Family cried plaintively、the Song of the Enemy roared in his ears。 - 效果:奇諾不善言詞,他的情緒全由歌表達——讀者聽見歌,就知道他的心境。家之歌在惡之歌「底下哭」,是全書最精巧的雙聲部描寫。
- 仿寫:Under the noise of the party, a quieter song of loneliness kept playing in her head.